This week. Different years. Same band. 30 years on stage. Brussels based. Jaune Toujours.
Some weeks begin with a hole in a poster. Some involve emergency microphones and visitor badges. Some involve portable toilets. And some involve Piet multiplying.

1999–2004 Ghent. Oud-Heverlee. Brussels. Meerbeke. Ottenburg. Vorst. Komen-Waasten. Blanmont. Bree. Gent. Maaseik. Evere. Festivals. Fairs. Community events. A multidisciplinary project. A theatre premiere. A lot of moving around.
2008 Aachen. Soundcheck in daylight. Concert at night. Wim listening from the stage. Théo listening from behind his kit. The band filling the stage. The audience filling everything in front of it. Then the CDs come out. Piet and Mattias selling, signing, talking. The gig keeps going after the last note.
2009–2010 Antwerp. Vic. A closing party. Mercat de Música Viva. Two portable toilets beside the stage. A packed audience in front of it. Both, apparently, part of the scenery.
2014 London. BBC Radio 6. Cerys on 6. Visitor badges. Emergency microphones. Theo and Mathieu waiting. Bart drawing the room. Mattias figuring out the setup. A very Jaune Toujours moment.
2018–2019 Save Le Monde. A single. A clip. Piet dancing. And then several Piet Marises, apparently.
2023 Ixelles. Camp Flagey. A benefit for people without papers. A packed audience. The rhythm section in front of a banner: This is not a crisis. This is a crime of the state.
2024 Vertigo. A video. An album. Out now.
2025 Brussels. Piet, Mathieu, Loes, Yamen. Then Bart and Mattias joining the picture.

Different combinations. Same musical organism. From a festival field to a BBC studio. From soundcheck to CD table. From one Piet to several.
Still playing. Still moving. Still looking for the next place to plug in.
Different places. Same week, stretched across time. We don’t archive the past. We carry it. Still playing. Still moving. Still open to the next room.