• 24th Annual Movieguide Awards
• Premiere of High Strung
• Giffoni Film Festival
• Free Dance Paris Premiere
• Share Premiere, Sundance Film Festival
• “Them That Follow” Party at DIRECTV Lodge at Sundance Film Festival
• Netflix's Chambers Premiere
• Los Angeles Premiere of Amazon's Cinderella
• Fendi Fall/Winter 2023 Show
• Fendi Men's Spring/Summer 2024 Show
• 3rd Annual Academy Museum Gala
• Fendi Men's Fall 2024 Show
• Vanity Fair Oscar Party
• The Idea of You World Premiere at SXSW
• Los Angeles Premiere of Mary & George
• Prime Video's The Idea of You New York Premiere
• The 2024 Met Gala, "Sleeping Beauties: Reawakening Fashion"
• Formula 1 Grand Prix of Monaco
• Fendi Menswear Spring/Summer 2025 Show
• Emporio Armani Show
• "Masters of the Universe" German Premiere
• "Masters of the Universe" New York Screening
• On the Street

• Universal City, 2016

In one of his first public appearances, Galitzine sports a slim electric-blue suit, white shirt and skinny charcoal tie—the going uniform for a rising actor circa 2016. None of it looks expensive or especially interesting, but the fit is sharp and the blue pops on a red carpet.

• Los Angeles, 2016

Two months later, he enters the full plaid-blazer-and-knit-tie routine, wearing a gray-and-black check wool jacket over a white shirt, with a burgundy tie and oxblood monk straps to match. It is Savile Row by way of a rental shop, earnest and a little fusty, the look of someone who Googled "how to dress for a premiere" and, to be fair, mostly nailed it.

• Giffoni Valle Piana, 2016

At Italy's Giffoni youth film festival that July, the blazer-and-Converse “smart casual” compromise—a navy jacket over a plain white tee, cuffed jeans and battered Chuck Taylors, a single red pocket square thrown in for credibility.

• Paris, 2016

Same film, different country (High Strung went out as Free Dance in Europe), as he shows up in the tie-with-distressed-denim thing. This was peak 2016, the sartorial equivalent of a side-swept fringe, and he commits to it completely.

• Park City, 2019

Three years on, at the Sundance premiere of Share, the snow-festival starter pack—a navy ribbed rollneck, dark jeans and lace-up duck boots. It is dressed down on purpose and completely sensible.

• Park City, 2019

Parked in the Sundance Festival's Pizza Hut portrait lounge, the actor shows off in a black leather biker jacket over a cobalt-blue rollneck. No stylist nor a fashion house yet, just a good leather jacket and the time-honored hope that wearing one makes you look a little like James Dean.

• New York, 2019

At the New York premiere of the Netflix horror series Chambers, Galitzine arrives in a camel overcoat over an oatmeal knit, navy trousers and brown Chelsea boots. It is the most grown-up outfit in his arsenal so far, tonal and faintly professorial, an early sketch of the direction he'd take another five years to fully trust.

• Los Angeles, 2021

For the 2021 Cinderella premiere, in which he played the prince, the actor wore a fire-engine-red ribbed blazer over a black satin shirt and black trousers from Saint Laurent. Two years before Fendi came calling, this is Galitzine going for impact the obvious way—with color—and mostly getting there.

• Milan, 2023

His first real Fendi moment, at the house's Milan men's show—the soft-launch before they made it official with the ambassador title later in 2023. They put him in an oversized black leather biker jacket over a gray shirt and tie, with a brown bag slung on the hip, the whole thing big and glossy and clearly the start of a courtship.

• Florence, 2023

That June, at Fendi's SS24 men's show in the gardens of its Florence factory, a matching denim co-ord printed all over with a cracked, tile-like FF motif. Sneakers and wraparound shades keep it loose, the ambassador era figuring out how to do daylight.

• Los Angeles, 2023

For the Academy Museum Gala, a custom Fendi black-tie look scattered with paillettes and finished with a frayed, raw hem. All black on black, the sparkle catching light only when he moved—about as close as his classic-menswear streak comes to a disco ball.

• Milan, 2024

At Fendi's fall 2024 men's show—he was fronting the campaign by then—a gray suede safari jacket with a belt-loop collar over a plain white tee, black FF-monogram trousers and pointed boots.

• Beverly Hills, 2024

Black tie with one liberty taken—the jacket's lapel sweeps across the chest in a single curve where a notch should be. Everything else stays standard-issue (white shirt, slim black tie, patent shoes and a rectangular watch), which is why the curve is the first thing you clock.

• Austin, 2024

For the SXSW premiere of his romance film co-starring Anne Hathaway, it was an oatmeal pinstripe Giorgio Armani double-breasted suit, soft in the shoulder, over a black shirt left open halfway down the chest. The undone collar keeps a boardroom cut from looking fresh from a stakeholders meeting.

• Los Angeles, 2024

For the Mary & George premiere, he went for an enormous Coach tuxedo jacket with duchess-satin lapels, worn open and unbuttoned over a pale green shirt, with a silver brooch pinned at the chest. The proportions run big—long sleeves, dropped shoulders, trousers pooling at the shoe—louche in a way that suits a series about court seduction.

• New York, 2024

For the New York leg of the same press tour, he opted for a custom Fendi charcoal flannel double-breasted suit over a pale blue shirt, collar open, no tie.

• New York, 2024

For the Met's garden theme, he arrived in a custom Fendi black tuxedo with tonal floral embroidery climbing the satin lapel and jacket front: the dress code answered without shouting. Black pointed boots instead of dress shoes are the one off-note in an otherwise classic tux.

• Monte Carlo, 2024

Galitzine turned up to motorsport's glossiest weekend—Charles LeClerc's home race, the one the Monégasque would go on to win from pole—dressed like he was headed to a beach-club lunch instead, in a washed chambray shirt, cream pleated shorts and suede Birkenstock clogs that frankly had no business anywhere near an F1 paddock.

• Milan, 2024

By the Fendi men's show, he'd gone platinum blond, and he wore the label's oversized indigo denim overshirt—contrast topstitching and all—over a white shirt and a green-and-orange striped tie. The denim-and-tie thing splits the difference between prep and workwear; navy trousers and silver-buckled black loafers do the rest, but honestly, the hair is more striking than the clothes.

• Milan, 2026

Two years on, the paddock nonchalance has hardened into something almost monkish. He fronts the Emporio Armani fragrance now, and he came to the show in head-to-toe Armani greige—a collarless ribbed jacket buttoned right to the throat, matching wide-leg trousers and chunky black loafers, all of it tonal enough that he nearly dissolves into the concrete wall behind him. It's the Armani idea of tailoring in miniature, soft-shouldered and a little ascetic, the opposite of a logo.

• Berlin, 2026

The promo tour swaps the monastery for the matinee. The heavy lifting goes to a black leather blouson in archival Giorgio Armani: shirt collar, knit cuffs, all zipped down to a snug waistband, with the leather every leading man comes around to eventually, worn over pale gray pleated trousers and polished black shoes.

• New York, 2026

For the New York screening, Galitzine reaches back to the 1980s trading floor. It's a charcoal chalk-stripe double-breasted with peak lapels and six buttons, pure mergers-and-acquisitions—Gordon Gekko sent out to promote a toy franchise. The bedhead hair gives him away, though—the kid who lost rugby is still in there somewhere, under all that grown-up tailoring.

• New York, 2026

Off the carpet, the styling still doesn't switch off. Galitzine sticks with tonal navy top to bottom—an Armani cropped zip blouson over high-waisted, wide-leg trousers that puddle onto black derbies—a silhouette that belongs on a 1950s studio backlot more than a Manhattan sidewalk.